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Lean, The Recording
Soundtrack
Baby A. Gil, Sounds Familiar The Philippine Star
4Sep98 Entertainment p.26
Gary Granada has already accomplished many remarkable things in his life.
That song Nang Maging Champion ang Ginebra already assures him a
place in both sports and music history. Doubtless, there will always
be some information campaign or commemoration of an important event that
can make use of his inspiring Tagumpay Nating Lahat. And there
are his song festival winners like Mabuti Pa Sila, Salamat Musika and
Kahit Konti.
Now, while songs like those are already
assured of immortality I hope that generations to come will also set
aside an exulted place for what I believe is Granada's greatest work to
date. This is Lean, the musical based on the life of martyred
youth leader Leandro Alejandro and for which Gary wrote both the book
and the music. This was first staged by the Leandro Alejandro Foundation
at the University Theater of the University of the Philippines in
September 1997.
The Filipino's flair for music is
legendary. Name a music form and you can bet that the Pinoy will take
it and shape it into something all his very own. But for a race steeped
in zarzuelas and moro-moros and Hollywood movies, the musical stage is
something that we still have to conquer. Sure, there have been a lot of
noteworthy attempts in the past but they only seem to dazzle for a few
weekends and are then consigned to oblivion until somebody remembers
them and initiates a revival.
Hopefully, Granada's Lean will
change that. It is about a period in our history that we are all
familiar with and while fictionalized in some instances, so are the
characters and the places in the story. The language used is definitely
of our time. I detect the influence of early Andrew Lloyd Webber in
some songs but that can only be because Webber wrote rock operas and
Lean is a rock opera. All in all, the music is rock of a very
wide range, not much different from what we hear on the radio and in the
albums we buy. This is also a musical that small theater groups can
easily mount and they should be encouraged to do so. At last, here is
something else young theater buffs can do aside from Broadway.
The narrative takes us through Lean's
social awakening while a student at UP and continues on to his rise as
campus activist, his growing prominence in national politics, his
incarceration and his tragic death from the gun of an assassin. As his
life unfolds we take our own trip back to the past. Marcos in Malacaņang,
Ninoy Aquino's death, the Snap Elections, People Power at EDSA, Cory
Aquino, the massacre at Mendiola. And we hear those near forgotten
words and names again. Aktibista, rally, demo, kapit-bisig, makibaka,
huwag matakot, arbitrary detention, Ka Tanny, Pepe Diokno, Cory, Lando Olalia, Eman Lacaba, political detainees, mandaraya, sinungaling,
manlilinlang, tuloy ang laban para sa sambayanan.
While every song is an integral part of
the story, these were all written with an eye towards easily accessible melodies and simple everyday
lyrics. It takes a hitmaker to make hits and that is just what Gary did
with Lean. The love song Paano Mahalin ang Katulad Mo,
based on a poem Lean wrote for his wife Liddy is particularly poignant. Burgis and Yellow Fever show his sense of humor. And because
he is also an excellent story teller, recent history has never been as
easy to digest as it is in this musical. We re-experience the turbulent
80's with spirited compositions like Sa Mendiola, Inang Bayan and
Makibaka, Huwag Matakot. Very emotionally stirring even for non UP
students, if albeit rather militant, is the adaptation of U.P Naming
Mahal.
Of tremendous help in realizing Granada's
vision of Lean is the talented cast of players. Nothing beats
listening to performances such as these if you want to get that proud
to be Filipino feeling. The voices in this soundtrack album of
Lean are Chickoy Pura of The Jerks in the title role; Bayang
Barrios as his wife Liddy, plus Odel Hernandez, QT Paduano, Sylvia Garde,
Noel Cabangon, Jet Melencio, Bodgie Pascua, Buddy Caramat, Jay Cruz,
Connie Chua and Geraldine Malacanan in the main cast (Please read
site editor's notes). The music is performed by Granada himself on
acoustic guitar; Mike Villegas of the Rizal Underground on electric
guitar; Angelo Villegas also of Rizal on bass; and Neil Baruelo of
Spiral Music on drums.
Take note that given the fact that most
record companies are not that enthusiastic about soundtrack albums of
Filipino musicals, Granada produced Lean on his own. He used the
prize money he won for his song Mabuti Pa Sila in the 1998
Metropop competition. Just goes to show how far this guy will go for
his music.
Don't pass up on this one.
GG note:
Cooky Chua played Lidy in the musical. Bayang Barrios recorded Lidy's
parts (i.e., aside from Bobby's) in the soundtrack on cassette tapes, as BMG
would not grant courtesy to use Cooky Chua's voice. The CD version, however,
features Cooky Chua as Lidy after her contract with BMG expired. In other
words, it's a hopeless world. |